Instead of merely continuing Lucid’s work, Lennon began anew and very much made it his own. At times, he’s too willing to give his pages over to Mailer admirers (Mailer included) to embroider testimonials to his greatness. But in the main Lennon has done a very fine job of chronicling most every possible dimension of a sprawling, brawling, daredevil-cum-car wreck of a singularly great American writer’s life – and I can say that without fear of a 150,000-word letter to the editor disputing everything I’ve just written, save that Norman Mailer was great.
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Not only is Norman Mailer’s Oswald’s Tale the first mentioned, but Mike is quoted:
Mailer disappointed numerous conspiracy theorists by coming to the conclusion that, as Mailer’s biographer J. Michael Lennon put it, Mailer chose “no conspiracy, and a complex Oswald; a man dealt a bad hand, in no way heroic, but bold, idealistic in a twisted way, and sympathetic.”
Norman Mailer is like America. Loud and colorful, sometimes brilliant, at times mediocre or worse, often the victim of his own self-regard, and willing to die trying for the right cause.
James Wolcott mentions Mike’s interview with Donald K. Fried in The Daily Beast.
How do you tell the story of one of the 20th century’s larger-than-life literary figures? Norman Mailer’s latest biographer J. Michael Lennon talks literary reputation, omens, women, and the never written.
Mailer married six times and had nine children; there were innumerable affairs, parties and arguments. He published 44 books. He never stopped. After one of his children is born, he leaves the hospital and that night begins an affair with his sister-in-law.
Lee Siegel writes: “A new Norman Mailer biography shows that his life may have been his greatest work of art.”