NORMAN MAILER WOULD HAVE been ill suited for the contemporary cultural landscape. Married six times, he discarded five wives and stabbed one (an incident that led to a 17-day confinement in the psych ward at Bellevue, a conviction for third-degree assault, and five years’ probation). Overconfident, often boorish, fueled by booze and driven by a towering ego, he made a drunken ass of himself on The Dick Cavett Show in 1971 and got the stuffing knocked out of him in a debate with a panel of prominent feminists — a raucous, ragged, must-see affair captured on film in the D. A. Pennebaker/Chris Hegedus documentary Town Bloody Hall.
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No writer plunged more wholeheartedly into the chaotic energies of the 1960s than Norman Mailer, as he fearlessly revolutionized literary norms and genres to capture the political, social, and sexual explosions of an unsettled era.
Published this month by Library of America, Norman Mailer: The Sixties is a double dose of the trenchant writer who—in his fiction, his nonfiction, and in work that famously blurred the distinction between the two—threw himself unreservedly into the most tumultuous era in modern American history.
Purchase Norman Mailer: The Sixties: A Library of America Boxed Set on Amazon.
David Denby writes:
In recent years, Mailer has been grievously out of fashion, but in February the Library of America is bringing out a two-volume set of his work from the Sixties, one volume devoted to fiction, the other to essays and journalism, and Mailer may be due for reappraisal and revival.
Read the rest of his review of the Library of America’s new Mailer collections at Harper’s.
